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ras
Joined: 11 Aug 2004
Posts: 56
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 Posted: Fri Oct 08, 2004 10:01 am Post subject: |
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le style a juelz c'est quand même un peu le style à cam, en pire. quoi qu'il en soit, ça tue. des morceaux comme santana's town et quelques autres de son album mettent des claques dans la gueule du début à la fin. faire rimer towers avec towers, et encore une fois avec towers, sur ce genre de beat, c'est comme mettre deux droites identiques et bam, encore une troisième. vivement cet album!
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Teki
INS staff
Joined: 05 Jun 2004
Posts: 937
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| Posted: Fri Oct 08, 2004 11:20 am Post subject: |
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non! cam c'est plus compliqué que ça mais j'ai la flemme d'expliquer
faites ce que vous voulez, allez. |
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CraiZ___
Joined: 30 Jun 2004
Posts: 59
Location: S-Town
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| Posted: Mon Oct 11, 2004 9:34 pm Post subject: |
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Cop that shit!!!
http://s1.yousendit.com/d.aspx?id=B663318906BAB54E1FECA9793F30C8F7
Rocafella EP (Promo EP)
1. JAY-Z - S. CARTER TENNIS
2. DIRT MCGRIT - LIFT YA SKIRT
3. YOUNG GUNZ FT. KANYE WEST & JONH LEGEND - GROWN MEN (REMIX)
4. BEANIE SIGEL FT. RELL - ON FIRE
5. YOUNG GUNZ - AINT NO HALF STEPPIN
6. BEANIE SIGEL - ALL EYEZ ON SIGEL
7. MEMPHIS BLEEK - THE STREETS (FREESTYLE)
8. YOUNG GUNZ - ITS NOT A GAME ITS WAR (FREESTYLE)
Faites vite, ce lien fera pas long feu.
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I just do the music because I am nice.
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CraiZ___
Joined: 30 Jun 2004
Posts: 59
Location: S-Town
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| Posted: Mon Oct 11, 2004 9:47 pm Post subject: |
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OK j'avais pas encore écouté
C'est nul, Oubliez!!!
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I just do the music because I am nice.
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Ferragus
Joined: 15 Jun 2004
Posts: 474
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| Posted: Tue Oct 12, 2004 8:36 am Post subject: |
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JAY-Z - S. CARTER TENNIS
ce truc est fou |
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mycheezlefromliddl
Joined: 11 Sep 2004
Posts: 49
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ras
Joined: 11 Aug 2004
Posts: 56
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| Posted: Mon Nov 15, 2004 11:37 pm Post subject: |
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14 jours de plus...
| Quote: | After several setbacks, Cam'ron's anticipated fourth album has once again been pushed back.
SOHH.com has learned that Cam's Purple Haze has been pushed back from its Dec. 7 release date to Dec. 21. Purple will mark Cam's second solo set for Roc-A-Fella Records and Diplomat Records' third release on the label. The star-studded LP features production from Kanye West, The Heatmakerz and guest appearances from Twista, Jaheim, Juelz Santana and Jim Jones.
Previously released tracks like "Shake It" and a slightly altered version of "Get Em Girls" will still appear on the record and the lead single will be "Girls," a remake of Cindy Lauper's "Girls Just Wanna Have Fun."
Cam'ron's Purple Haze hits stores Dec. 21. |
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ANU
Joined: 15 Jun 2004
Posts: 58
Location: banlieue bruxelloise
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| Posted: Sun Jan 09, 2005 12:23 pm Post subject: |
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| Teki wrote: | | toutes les paroles citées sont incroyablement géniales et je pense le plus sincerement du monde que la vraie belle ecriture rap c'est ça, au moins juelz s'approprie un truc et en fait quelquechose d'inedit (tous médias d'écriture confondus) pas comme tous les pseudo "lyricists" merdiques a la <a href="http://www.ntsearch.com/search.php?q=Nas&v=56">Nas</a> et cie dont l'ecriture pseudo poetique n'invente rien. Et ce n'est pas une question d'en etre "conscient" ou pas a mon avis juelz quand il repete les mots a la fin des rimes, c'est parce que CA CLAQUE et il le fait de maniere tellement extreme que c'est ABUSE et c'est mortel. Et ce serait merdique si c'etait un autre rappeur qui le faisait, mais juelz il s'habille en drapeau americain avec des sappes dix fois trop larges et il est a peine majeur mais il baise plus de putes que toi, il a ce petit sourire arrogant et il tue tout le monde. |
article du new york times
| Quote: | The Reesey-Piecey Man Cometh (and Rhymeith)
By KELEFA SANNEH
In 1998, years before it became obvious that he was one of hip-hop's most appealing surrealists, Cam'ron was just another aspiring star, content to hold down the world's most glamorous job: New York rapper.
He announced himself by telling everyone how to recognize him: "You might see Cam in designer underwear." That was the first line of his breakthrough hit, "Horse and Carriage," which had a singsong refrain by Ma$e, the rapper whose infamous shiny suit epitomized a time when hip-hop seemed like a form of wish fulfillment.
The process was simple: a couple of hit records, a couple of memorable videos, and suddenly you were richer than God and nearly as omnipresent. It was a time when even the most extravagant hip-hop boasts could pass for predictions: O.K., maybe you didn't actually own an island, but you were so close.
This gilded age didn't deliver on its promises. New York rappers discovered that music-industry success was nearly as demeaning as failure: it's hard to look cool when you're working overtime to satisfy radio stations and club D.J.'s, and it's hard to maintain your king-of-the-world image when you're being outsold by boy bands.
Ma$e retired to become a preacher (he "ran to Atlanta," as Cam'ron bitterly put it), cutting short his career before his second album had a chance to do it for him. And although Jay-Z stayed on top, many other New York rappers had to find ways to brag about a lifestyle that no longer seemed quite so glamorous.
That era's end was exactly what Cam'ron needed. When his first two albums failed to propel him into the stratosphere (they barely propelled him into the, um, sphere), he signed with Jay-Z's label, Roc-a-Fella, and started consolidating his crew, the Diplomats. Over the last few years, Cam'ron's rhymes have grown stronger and stranger.
Like some fearsome dictator gone off the deep end, he issues one outlandish pronouncement after another, never pausing to acknowledge that there might be some gap between word and fact, sometimes not even pausing to make sense of his own scrambled syllables. This is a terrible way to run a country, of course, but it's a great way to rap. For Cam'ron, even more than for most rappers, saying is believing.
You could see this strategy in action at the Apollo Theater in Harlem on Tuesday night, when the crew gathered to celebrate two new releases: the entertaining new Diplomats compilation, "Diplomatic Immunity 2" (Koch), and Cam'ron's marvelous new CD, "Purple Haze" (Roc-a-Fella/Island Def Jam), one of the year's best hip-hop albums. For more than an hour, Cam'ron delivered mesmerizing, sometimes nonsensical rhymes: "Bucket by OshKosh B'Gosh/Golly, I'm gully, look at his galoshes/Gucci, gold-, platinum-plaque collages." And he often took gangster mythology well past its logical conclusions. "All y'all think it's peace and peachy/I'll leave you Reesey-Piecey," he snarled, turning a bag of candy into a Dada threat.
That last rhyme comes from a track on "Come Home With Me" (Roc-a-Fella/Island Def Jam), Cam'ron's swaggering 2002 album; according to Nielsen SoundScan, it has sold over a million copies, more than his first two combined. Since then the Diplomats have flooded the streets with an addictive series of official mixtapes (you can find them online at www.dipsetmixtapes.com), which seemed designed less to win new followers than to winnow out casual listeners.
Obsessive fans could follow the Diplomats into a half-imaginary world, gaping at the cover of "Back Like Cooked Crack" (it shows Juelz Santana, a young Diplomat, standing at a stove, tending to a pot, a jar, a pile and a lump), and wondering whether J. R. Writer, another Diplomat, would ever top his lung-busting "6 Minute Freestyle."
"Diplomatic Immunity 2" is just one more mixtape, although, like its predecessor, the double-disc "Diplomatic Immunity," it's available for sale in mainstream record shops. Like the others, it probably won't win Cam'ron any new fans, but it does have a fistful of great tracks, none better than "S.A.N.T.A.N.A.," the latest outburst from Santana, the mischievous rapper whose wild-eyed stage presence contains more than a hint of Christopher Walken.
Santana nearly stole Tuesday's show with a chaotic rendition of "S.A.N.T.A.N.A.," abetted by his preschool-age nephew, who sang the hook. While a drum machine sputtered behind him, Santana shouted out his stream-of-consciousness pronouncements: "I ain't here to wine ya/I ain't here to dine ya/I came here to pop ya/And I came here for lobster/The whole damn shebang, and I ain't bring the pasta."
When the nephew's work was done, he toddled offstage, but not before receiving his pay: a few brick-sized stacks of bills, straight from Cam'ron's pocket.
Part of what's exciting and confounding about the Diplomats is that they're so deadpan. The members don't stop to assure you that they're actually nice people, and they don't spend time analyzing their own whimsical rhyme schemes and asymmetric rhythms.
Cam'ron has perfected his persona as a don so powerful that no one dares question his quirks. If he wants to dress in all pink (as he did for about a year) or brag about shopping at "Neimies and Bloomies," who's going to second-guess him?
"Purple Haze" is due out on Tuesday, and it's a left-field masterpiece, showing off all the things he does so well and so weirdly. On his last album, Cam'ron spent most of his time explaining his favorite pastimes (putting drugs on the street, putting women on their backs, putting enemies in their place), but he occasionally switched directions for a startling love song or an even more startling avowal: near the end, he declared, "Now I realize, Christ the king." The new album is more abstract, with spikier beats and more fractured narratives; there's less room for regret but more for experimentation.
For newcomers, the longtime mixtape favorites will be a revelation. "Killa Cam" pairs Cam'ron's sinuous wordplay with a similarly sinuous, muezzinlike cry by a singer who calls himself Opera Steve. And "Get 'Em Girls" uses a bombastic beat (someone's been listening to "Carmina Burana") to propel a mesmerizing cascade of phrases beginning with the unforgettable claim, "I get the boosters boosting/I get computer 'puting."
It's always fun to hear Cam'ron bully a beat, slowly spitting out an endless series of petulant phrases, as if he were expecting the rhythm to adjust to his unpredictable cadence. And when it comes time for a pop song, he turns on the gruff charm: "Down and Out," with a hard-hitting Kanye West track, finds Cam'ron reeling off gruesome sex rhymes, then changing directions to bark one of the year's best pick-up lines: "You got pets? Me too: mines are dead." He elaborates, "Fox, minks, gators, that's necessary/Accessories/My closet's pet cemetery."
By the end of Tuesday's show, Cam'ron had changed from a black sweater to a bright yellow one; the whole audience had joined him in flashing the Diplomats hand sign; his protégés had run riot; and the crew had barged through nearly two dozen tracks. So long as you were in the building, it was possible to believe that Cam'ron had taken over the world the way he was supposed to back in the 1990's. But once you walked out into the Harlem night, it became clear that he had invented his own world instead. |
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bling_blong
Joined: 08 Dec 2004
Posts: 14
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| Posted: Mon Jan 10, 2005 2:14 am Post subject: |
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Superbe.
C'est pas aussi le New York Times qui avait mit Hollertronix Never Scared dans son top 10 2003 ? Si, je viens de vérifier. Assurément des gens de goût. |
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smeda
Joined: 06 Jan 2005
Posts: 80
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| Posted: Mon Jan 10, 2005 3:13 am Post subject: |
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| Teki wrote: | je suis pas espagnol mais j'ai étudié la langue a l'ecole, et je trouve que la plus belle chanson du moment c'est "obsession" de Aventura
ça tue! |
ouai c marrant la meuf dans le clip c pa celle ki chante looooool
par contre la reprise des 3 gay est completement nul |
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Ferragus
Joined: 15 Jun 2004
Posts: 474
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| Posted: Tue Jan 18, 2005 8:48 am Post subject: |
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NORE - 4 The Minute produit par Timbaland est "dangereux"
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Ferragus
Joined: 15 Jun 2004
Posts: 474
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| Posted: Wed Mar 16, 2005 8:53 am Post subject: |
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d'où sort le Memphis Bleek feat Jay Z - Yes, ca ne semble pas être une nouveauté
le beat (Just blaze je crois) est bien fou.
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